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Stromer House
One of the oldest known intact doll houses is in the Germanisches National Museum, Nuremberg, Germany. Known as the Stromer House, because it was presented to the museum by Baron von Stromer, its original owner is unknown, but it is dated 1639.
Like other famous doll houses which followed it, the Stromer House offers a fascinating view of upper-class life for the time and place it was made. This doll house has 15 sections, with everything from stables and servants’ quarters, to elegant bedrooms and a reception room and hall with intricately paneled walls.
(To see a photo of the Stromer House, click the museum link, then slide the date button at the top of the timeline to 1640. Click on the photo of the doll house.)
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| The Little Mermaid Under The Sea Lyrics The seaweed is always greener In somebody else's lake You dream about going up there But that is a big mistake Just look at the world around you Right here on the ocean floor Such wonderful things surround you What more is you lookin' for? Under the sea Under the sea Darling it's better Down where it's wetter Take it from me Up on the shore they work all day Out in the sun they slave away While we devotin' Full time to floatin' Under the sea Down here all the fish is happy As off through the waves they roll The fish on the land ain't happy They sad 'cause they in their bowl But fish in the bowl is lucky They in for a worser fate One day when the boss get hungry Guess who's gon' be on the plate Under the sea Under the sea Nobody beat us Fry us and eat us In fricassee We what the land folks loves to cook Under the sea we off the hook We got no troubles Life is the bubbles Under the sea Under the sea Since life is sweet here We got the beat here Naturally Even the sturgeon an' the ray They get the urge 'n' start to play We got the spirit You got to hear it Under the sea The newt play the flute The carp play the harp The plaice play the bass And they soundin' sharp The bass play the brass The chub play the tub The fluke is the duke of soul (Yeah) The ray he can play The lings on the strings The trout rockin' out The blackfish she sings The smelt and the sprat They know where it's at An' oh that blowfish blow Under the sea Under the sea When the sardine Begin the beguine It's music to me What do they got? A lot of sand We got a hot crustacean band Each little clam here know how to jam here Under the sea Each little slug here Cuttin' a rug here Under the sea Each little snail here Know how to wail here That's why it's hotter Under the water Ya we in luck here Down in the muck here Under the sea |
Dear Ansie,
http://www.metmuseum.org/exhibitions/listings/2010/representation abstractionSince you have written about IL LEE's large scale ballpoint pen works on canvas and works on paper in the past and we follow your blog, I thought you and your readers would like to know that after the exhibition of a couple of works at the Metropolitan Museum of Art, there is currently an exhibition of IL LEE at our new space in Tribeca (see below photos and press release).
Hope you can visit us in NYC.
Kind regards,
Andrew
Art Projects International
434 Greenwich Street
New York, NY 10013
212-343-2599
andrew@artprojects.com<mailto:andrew@artprojects.com>
www.artprojects.com<http://www.artprojects.com
________________________________
IL LEE
Monoprints, Editions and Paintings
October 11 - December 22, 2011
Art Projects International
434 Greenwich Street, Ground Floor
(corner of Greenwich St and Vestry St)
New York, NY 10013
Tel: 212.343.2599
Hours: Tuesday - Friday, 11am - 6pm and Saturday, 12 - 5pm
Art Projects International is pleased to present at its new space in Tribeca, a solo exhibition of new limited edition prints and monoprints by Il Lee. These series of prints, with bright greens and blues and rich oranges and browns, have been created in discrete sets of themes which build on diverse explorations of mark-making. This recent focus on the etching process brings Lee back to a practice that was his initial course of study decades ago. Several paintings made concurrently with the prints also will be included in the exhibition. As his large scale works on canvas and on paper suggest at once the monumental and the fundamental dynamism of nature, these new prints convey scale and movement beyond the possibilities their modest formats suggest.
In the monoprint Hanro - M1, etched lines twist around an area of form created by a dense intersection of those same lines. Some lines corkscrew in or out of view; others seem to halt and turn back on themselves. Lee allows, in all these recent etchings, for his lines to have different levels of energy–to develop their own personalities. In the Sosul edition, Lee uses a brushstroke effect to bring attention to series of parallel lines creating the effect; Lee trades the massing of infinite line he often uses to build massive form for abbreviated strokes that generate a meditation on process, mark making and composition. In the Gogu editions, short brushy stubs and grass-like protrusions or bush-like swirls bring abstractions in, not outright but somewhat close, association with nature. In some editions, Lee’s line is given free reign; it might consume the entire surface, explode from a corner, drop from the sky or rise like smoke. The energy of other prints is evocative of Lee’s earlier ballpoint pen work.
As Lee has done throughout his career with new projects and through experimentation, he extends his lexicon of mark making. On a press in his studio, Lee uses color and the special qualities of the etching surface to play with both line and the suggestion of line as he creates layering, atmosphere and the impression of near and far space. Lee’s prints allow for subtle variations of a different sort than in his paintings, and each practice visibly informs the other.
IL LEE is best known for his pioneering work with ballpoint pen that he began more than 30 years ago and continues today. Lee’s recent oil on canvas work and new prints bring the viewer back to Lee’s early investigations of materials and process.
Critically acclaimed and widely exhibited, Il Lee has been the subject of a retrospective at the San Jose Museum of Art and solo exhibitions at the Queens Museum of Art, the Vilcek Foundation, and the Crow Collection of Asian Art in Dallas, Texas. His work has, also been exhibited at the Metropolitan Museum of Art, Brooklyn Museum, the Smithsonian Museum of Art and the National Museum of Contemporary Art, Korea.
For more information please call 212.343.2599 or email api@artprojects.com<mailto:api@artprojects.com>
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Art Projects International new location
434 Greenwich Street
212.343.2599New York, NY 10013
api@artprojects.com<mailto:api@artprojects.com>
www.artprojects.com<http://www.artprojects.com>
